The Lost Daughter Is A 2022 Academy Award-Winning Female Film That Has Been Nominated For Several Awards, Including Best Actress And Best Adapted Screenplay.

The Missing Girl is Maggie Gyllenhaal’s first experience after decades of acting as a director. To experience his first work, he turned to a hard film, an adaptation of Elena Franta’s novel (which has also been translated into Persian), which is very much in line with its people’s feelings and inner workings.

However, Gyllenhaal’s courage as a filmmaker, who began his first film with a story full of inner strife, is commendable. The Lost Daughter has a straightforward and calm story in its appearance and moves regardless of any tense conflicts between its characters and characters.

This story focuses on the psyche of the people and the feedback of their decisions, the conflicts that the protagonist has with himself, and the win-win war he starts with his memories.

Literature has always been an attractive resource for cinema, and adaptations can guarantee the success of a film as much as they are risky. Now it is the filmmaker’s art to walk on this blade with the least risk and meet the expectations of an adaptation, regardless of whether or not his work is faithful to the original reference.

Gyllenhaal puts a lot of effort into making this in-house work. As a director, he more or less completes his task, but what has somewhat obscured the result is the difficulty due to the introspection of the play, which the filmmaker may not be inexperienced due to inexperience. Take the inner conflicts out of the heart of this novel in a playful way. It is an important issue specific to works that deal with invisible problems.

The following are excerpts from the story of The Lost Girl

Leda goes to an island in Greece for a vacation. She is a professor of comparative literature, a woman who has left her family and children in the past to reach this position.

Leda, played delicately by Olivia Coleman, encounters troubled and troubled families on the island, while Nina ( Dakota Mayi Johnson ) and her son catch Leda’s attention; And this is the beginning of making everything weird, something that evokes the memory of Leda’s games, the memories that confront her and make her stronger every moment. As strong as they are in the present.

The Lost Girl has both exciting and non-exciting stories, both thrilling the audience and quenching the flames of thirst so that the audience sometimes wonders how to deal with and understand the work.

The main drawback of the film, like its other counterparts, is its adaptation so that if you read the main story, you will better understand the movie The Missing Girl; And if a work reaches the point where the source of its adaptation needs to be pinned down as an explanation, it can tell that the film has undergone little development.

The Lost Daughter Since it is internal work and there is not much external conflict, the audience should try to see the film in the amount of unpaid content because the film has a lot to say but with understanding.

The fact that portraying such a text requires a great deal of experience for the director, and the audience is unable to touch the interior and situation of Leda in such a situation leaves perceptual gaps in the viewer’s mind.

Leda is anxious, scared, paranoid, and unable to quickly interact with the people around her. He is highly irritable and desperate to confront the young men who have disrupted the cinema; even when having dinner and talking to Will, he becomes talkative and overwhelmed by his inner anxiety.

 These are all characteristics of the character that Jenhalhal uses to reveal his mystery and story, and by moving the film cycle, he puts his viewer in the atmosphere of his work.

The Lost Girl is a description, a screenplay that has the power to engage the audience and put them on a dramatic path. This film is a feminine word that enters the world of gender decisions and observes them in a masculine world. The story of the missing girl takes place in Greece, where her patriarchal archetype has a long history, and the film makes the most of this atmosphere, subconsciously creating a world in which women are dominated by men and want to move and have children.

The Missing Girl is a description of a screenplay that has the power to engage the audience and set them on a dramatic path.

The Lost Daughter portrays the modern woman versus the traditional woman, a woman who plays a different role in what society demands of her and, of course, pays a high price in this way.

Indeed, Leda sometimes suffers from a guilty conscience and parades in front of her eyes with every flip of the past, and she deals with her surroundings in a very irritating and paranoid way; However, he does not regret abandoning his children and sees this as a price for his success.

In this film, Gyllenhaal portrays a different kind of woman, the female sex who, in addition to her motherly duties, also pursues her desires and does not want to ignore her existence. He creates a not-so-pleasant image of the children, Elena is constantly harassing Nina, and Leda’s children are constantly harassing her with their lawsuits and behavior. On the other hand, these events occur in the low presence of men, where the male sex does not perform its duties and holds the woman responsible for maintaining life.

These men fail to take care of their wives, Leda’s husband cannot perform his marital duties properly, and Nina’s husband constantly leaves her alone. In fact, by portraying men’s passivity, the filmmaker paves the way for any judgment about these women and clarifies to the audience that it is primarily men who make mistakes, and this mistake spreads to modern women today.

The film begins with the story of Leda, Nina, and her child on the beach, where the relationship between this mother and the last child of this professor of literature is evoked. Nina likes to look like Leda, and on the other hand,d Leda sees her past in her.

The filmmaker puts these two people in each other’s way to penetrate the mood and psyche of the protagonist; The same thing happened to the roots of The Lost Daughter, which did not come out well, and the low payment of this intersection kept the audience away from the story.

With the least effort, we easily enter the fantasy world of the film’s first character! Leda enters her resurrected past by seeing Nina with the least active transformation. What happens when Leda steals Elena’s doll? What essential factor makes her unable to return the beauty to Elena after seeing the baby’s many cries and sorrows?

Although these issues are the initiators and guides of the drama engine of the story, they occur without cause-and-effect solid relationships, and the filmmaker has no convincing answer other than the closeness of Nina and Leda.

The Lost Daughter is a story of women who, from now on, like to be themselves and change their path.

In parallel, the film goes back to Leda’s past, creating both suspense and anxiety. It is a journey that puts the audience on the verge of hearing its whole story but is nothing more than an essay and a description, and it is enough to see and hear these memories.

The footsteps of the suspension are repeating throughout the film, and the viewer’s greatest expectation, which is a blow from Nina’s family to Leda, does not come true, as the family is a metaphor for traditional societies that do not like modern, rebellious women.

The Lost Daughter is a story of the courage of women, those who from now on, like to be themselves and change their course, which of course the filmmaker has shown the atonement for this rebellion and decision for his heroine, a penance that Leda with a pang of conscience, embarrassment, Fear has dealt with irritability with all its heart and soul. The Lost Girl is a metaphor for these women, who seek their way in the struggle for the traditional and modern role of the female sex.

One of Gyllenhaal’s goals in the film is to challenge the role of mother, which is why caring for children and having children is not beautiful at all in The Lost Girl. The film goes against the flow of a creature that has always identified women with motherhood.

The Lost Daughter is a relatively mediocre work, with only a few themes, due to its not-so-powerful payoff, which also involved structure and failed to achieve a good overlap between the past and present of Leda and Nina. It has a challenging and fresh theme.